By Ife J. Ibitayo
The zeroth step of creating a comic book is writing its script. This document is where dozens of striking art panels and hundreds of clever speech bubbles are born. As an experienced science fiction prose writer, I reasoned that I would be well equipped to write a humorous historical script. But after a week of research into the subject, I was baffled by the amount of “unnecessary” structure that goes into screenwriting.
In the novelized form of Romeo & Juliet, Romeo sneaks into the Capulet’s family orchard. Placing his very heart in his hands, he lifts his head and cries to Juliet’s window, “But, soft! What light through yonder window breaks?”
But in the script version, you have to first explain that the scene is “Capulet’s Orchard”. Then you have to describe the orchard itself. Then you have to denote that Romeo is speaking. Then you have to…can you imagine how such tedium can dam up even the most powerful flow?
In prose, the inner thought life of your characters is visible, all extraneous details are implied, and the formatting is loose and simple. But in a script, all these rules are reversed. As soon as I opened a fresh Word document, writer’s block smothered me like a heavy blanket.
“Do I indent this line once or twice? Is this one bold or italicized?” I muttered my way through my first frustrating hour. And by the end of my maddening day, I was already ready to throw in the towel. I knew there was no way I would finish anything worthwhile at this rate.
But You Can’t Write It on Your Own
The creative side of my brain had already gone to bed for the night, but the problem-solving side was still wide awake. So I turned to Google convinced that there must be some software out there to hold my hand through this painful process. And to my relief, there was!
From scene setting to dialogue, parentheticals, and every other jargony screenwriting term I’d encountered, StudioBinder had me covered. And the very best news, it was free for my first script!
Conclusion
With renewed vigor, I spent the next three months writing Let My People Ball. On countless afternoons, I’d lay claim to my small cubicle at the library and tap away at my computer as I honed my story. I’d open my Bible to confirm important story beats, and I’d surf the web for credible historical information about Egypt’s New Kingdom—which was in power during the time of Moses.
When December of last year rolled around, just in time for Christmas, I gave myself the only present I really wanted—a finished draft! I excitedly sent it to a screenwriting friend of mine to ensure I hadn’t wasted a quarter of my year in vain. And with 2023 fast approaching, I began to search for the perfect illustrator to bring my project to life.